My interest in painting lies in  “how far in the picture” we are concerning something as meaning and context influence one another.  The problem of knowledge creates both an intimacy and objectivity with the world.    I am interested in the signification that goes on in how we come to know something....the naming of things, the framing of them, and the question concerning the relation between creating and discovering a world.

Signification, as construction, obscures a discourse and hides that fact.  What is the necessity behind this as a mode of being human? OR Nietzsche's pressing question: “To what extent can truth endure incorporation?”